Hallelujah, another romcom. With some coming-of-age elements. And fish-out-of-water, because this romantic comedy largely involves an immigrant family in the USA. Which means there’s people of colour involved as well, score! I know this could be read as sarcastic, but I feel like romantic stories are even more often super white than other movie genres.
Kumail and Emily meet when he’s doing a standup show, both decide that this meet up is going to be an one time thing. Good thing we know there’s way too much chemistry between the two of them to believe that.
Romantic gestures, fights, breaks ups and make ups are (mostly) thrown aside for a much bigger game changer: Emily becomes seriously ill. How does a relationship work with/around that?
Kumail goes through some Life Lessons, while Emily is (more) fleshed out through the presence of her parents. It’s their chemistry that doesn’t make you ask too much questions, just look at the darn cute of them. The other characters are everything you need in a romantic comedy.
The Big Sick, FilmNation Entertainment 2017
10 x 30 min.
Ik kreeg het niet voor elkaar om de film te kijken, maar gelukkig hielp Netflix (weer eens): nu is er ook een serie.
Met hetzelfde gegeven: zwarte studenten op overmatig witte campus die in mindere en meerdere mate tegen racisme ingaan. Hoofdpersoon is misschien wel Sam met radioshow Dear White People, maar – heel fijn – anderen krijgen elk ook een aflevering. Iets met ‘verschillende, nodige invalshoeken’ en zo.
Zo leer je waarom sommigen “zo min mogelijk zwart” willen zijn, of hoe het is om waarheid te ontkennen voor je eigen veiligheid.
En door het evenwicht van continu activisme en ‘ik wil gewoon leven, hoe dan ook’ wordt Dear White People geen eenzijdig pamflet. Hoeft ook niet; de ervaring van met de neus op de bittere feiten gedrukt worden gebeurt toch wel.
Dear White People, Netflix 2017
Captain Kadian takes a large swig from his glass tumbler, closes his eyes for a moment, smacks his lips and says, ‘The job’s not that hard, you see, you just go down once a week or fifteen days, and the money, the money is not bad at all.’
I really wanted to like this. Looking back a few days later, I appreciate the story and the story telling, but while reading it, it couldn’t hold my focus.
The story is about the nineties war in Kashmir, and the young man left behind to take care of the remains. Literally. Where others have left to fight (for India/against India), the headman’s son has the job of taking identity cards from dead bodies. He feels left behind, he feels like a failure, he lives in less than a ghost town.
So what was it that didn’t click with me? Maybe the endless dreariness, the weight of everything going on. It’s not like the prose is dull, uninspired or repetitive, but it does push you into the tightening corner of the main character’s despair.
Maybe I simply read it after the wrong book, maybe I just couldn’t handle the story.
The Collaborator, Mirza Waheed, Viking 2011
Flikken de Fransen het weer. Verdorie, wat een film. Na Black en Girlhood een film vanuit de banlieus, de lelijkste plekken van Frankrijk met (pijnlijk) bewijs dat de mensen die daar wonen, heen gestuurd zijn, gedumpt zijn, niet minder menselijk zijn dan de Franse clichés die rond de Eiffeltoren flaneren.
Deze keer weer een vrouwenvriendschap, met romance ver op de achtergrond. Zij houden vooral van elkaar. Dat het geld waardoor ze extra lol hebben van drugs en diefstal komt – liever niet over nadenken.
Dat het niet mooi afloopt (die Fransen toch) hoef ik niet aan te stippen, in deze film gaat het over de eindeloze liefde tussen twee vriendinnen, hoe cliché ideeën over mannelijk en vrouwelijkheid (de vrouw is de dealer, de man danst, de vrouwen zijn agressief, de mannen volgen) ondersteboven gezet worden zonder het onder je neus te wrijven. Het gaat om de eindeloze, uitzichtloze hopeloosheid van groeien naar alles waar je beticht van wordt. Zijn het beesten, of zijn het hun omstandigheden? En kan dat wel veranderen zonder dat het barst?
Divines, Easy Tiger 2016
Lisette Toutournier sighed.
Well, it could make an amazing looking TV-show. The world building is there, it’s bright and diverse (both in surroundings as represented race and sexuality). It’s just the plot that ..not really isn’t.
Everfair is the name of the reclaimed, bought Congo and later parts of surrounding countries. With steampunk elements and money from societies and countries world wide, Africans, Europeans, Americans and Asians build up a country without colonial rule. Cool, original, awesome idea.
And that’s about it. The author seems to be in a hurry to showcase the rise and fall of this young country, hopping ahead in time like she was told not to use too much pages on character development. The story only gets sadder because of this as well, pulling the reader out of the freshly created fantasy.
I’m very fond of stand alone books, definitely in the fantasy series, but maybe Everfair could have done better with being a two-parter.
Everfair, Nisi Shawl, Tor 2016
I think it was pretty clear when there were parts and lines added to make (small-minded) white people feel better, but (or maybe because of that, help?) I enjoyed Hidden Figures a lot. An uplifting movie with unlikely heroines that are smart, funny, well dressed and black.
‘Based on true life events’ seems to be a forewarning for sappy, Hallmark-like stories that are described as having heart while not really having or showing it. This story about the black, human computers of NASA could have been much more inspirational, much brighter and louder and beautiful and grating. Now it’s largely a show of how people can learn not to be sexist and racist because they’re confronted with smart black women. This happens in the 1960s, and it ends a bit too much with the unsaid message of how all that is very much in the past. While we know it isn’t, of course.
Didn’t I say this movie was uplifting? It is, kind of. The characters move from okay to better, the bad guys are only the confused guys, there’s pictures and blurbs at the end to show you the real life counterparts. There’s a cute soundtrack and as said before, the heroines are lovely. It could have simply been sharper, more vibrant, more honest.
Until we get that story, Hidden Figures is a cleaned up history lesson worth watching.
Hidden Figures, Levantine Films 2016
13 episodes, 50 min.
Another Netflix Marvel cooperation? Of course, as long as people watch it.
Was Jessica Jones special because we finally got a female character, this time Marvel goes off the beaten path with a black main character. Heck, the absolute majority of the cast is black, which must have had some people worried about sell-ability. Is the blackness (the surroundings, the cast, the subjects mentioned) the problem of the show? No, it isn’t.
Then what is? The length, and the main actor. As stoic, almost-invisible stubborn hero, Mike Colter is doing fine, but he is surrounded by too much talent to not escape comparison. As usual, the less focus on the main guy, the better.
This season is thirteen episodes, while it would have been tighter and more exciting if it would have ended after episode eight. Now we get a load of new villains that need to provide a cliffhanger that’s just too weak. This has been a problem with the other Marvel Netlix shows as well.
The ladies steal and save the show. Alfre Woodard, Rosario Dawson, Simone Missick and those in smaller parts show that a female part can be more than mother, Maria and whore. For once, I can say that you can pick a Marvel project for the women.
Luke Cage, Marvel 2016