A Gentleman in Moscow

APPEARANCE OF COUNT ALEXANDER ILYICH ROSTOV BEFORE THE EMERGENCY COMMITTEE OF THE PEOPLE’S COMMISSARIAT FOR INTERNAL AFFAIRS

This was a book like a sofa. I feel like I’ve used this compliment before, which means that I have to go start looking for a new comparison. But spacious, comfortable and easy to stay put in.

Count Alexander Ilyich Rostov is a Former Person in the Soviet Union, which basically means that he’s part of all that was awful before the enlightened bolsheviks showed up. Because he wrote an amazing, wonderful, beautiful poem, they can’t just depart him. Instead, they tell him he can’t ever again leave the hotel he’s been staying  in (logical!).

And that’s where the book plays out, in a hotel. But luckily, not just any hotel. And the Count isn’t just any ordinary man. Time moves, people come and go, the Soviet changes, but the gentleman in Moscow is there.

I have yet to find a book involving Russia that doesn’t fascinate slash baffle me. This is one man’s story, this is a part of history. While being an appealing reason to sit down.

A Gentleman in Moscow, Amor Towles, Viking 2016

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Rich People Problems

PROBLEM NO. 1

Your regular table at the fabulous restaurant on the exclusive island where you own a beach house is unavailable.

Follow up from Crazy Rich Asians and China Rich Girlfriend, now with even some issues that everyone that isn’t a billionaire or millionaire could relate to. Maybe.

Does one read books of these series for recognising situations from their own lives? Probably not. Bring in the details about the clothes, the planes, the houses, the spending.

Again, there’s so many characters that the genealogy in front of the book can be helpful. The author ramps up the amount of notes as well, this time using them (more often) to comment, instead of to explain. But in between all of that is a brightly coloured, very expensive (looking) story full of dramatics and diamonds. It’s silly, it’s superficial, it’s quite delicious (especially in between Year of Wonders and writing essays about The Catcher in the Rye).

Rich People Problems, Kevin Kwan, Doubleday 2017

Homegoing

The night Effia Otcher was born into the musky heat of Fanteland, a fire raged through the woods just outside her father’s compound.

A much recommended book that didn’t disappoint one bit. How often does that happen (rhetorical question)?

I often appreciate a family epistle, using people to show history through the centuries. Sometimes their surroundings are more interesting, something the characters and their impact on later generations are the elements that make the story.

Homegoing does both. It starts in Ghana, with the time when white people were just a minor element, a mark in between tribal issues. It goes on into the twenty-first century. So that means kingdoms rising and falling, slavery, wars, segregation, the American civil war and civil rights movements, fear for lives solely because they’re being lived in dark(er) skins. And during all that, people. Likeable people, confusing people, people you worry for. There’s their family mythology, but Yaa Gyasi never makes you forget that these are (just) humans.

It’s ugly, how close to the skin it plays. Colorism, racism, the superiority feelings of white people. This is reality, and there’s no judging tone; the situations speak for themselves. Doesn’t mean this story is non-stop hard to read, just another gold star for in Gyasi’s book. All in all, add me to the voice of recommendations.

Homegoing, Yaa Gyasi, Alfred A. Knopf 2016

Do Not Say We Have Nothing

In a single year, my father left us twice.

This was work. I don’t know how I managed to read two similarly build up novels (the other one being Disappearing Moon Cafe), but this one was the tougher of the two. Maybe because the comparison material was so recent. Both left me wondering how I’d like something contemporary written by an Asian actor.

Anyway, time moves every way but chronologically in Do Not Say We Have Nothing. Keep your head with you, because there’s a lot of characters going through a lot of things. The most brutal one, probably Mao’s ‘Cultural Revolution’ and the horrors of Tiananmen Square.

These aren’t light, bright stories. There seems to be no end to what a family can be put through, and the small, mythology-like side steps only make the difference starker. How did anyone come out alive?

It’s a novel to take in in small doses, to learn and see through another set of goggles.

Do Not Say We Have Nothing, Madeleine Thien, Granta 2016

Mascots

89 min.

netflix-mascotsOh dear, what is this? A mockumentary, although the people starring are small-mindedly human enough to be straight from reality. And what is it about? Sport mascots, the people that dress up as animals (and other things) at sport games. The featured mascots are preparing for a world championship of mascots and accompanying con. The people attached to that are ..maybe even weirder, and in the worrying way.

Especially when sex and furries are added. It moves the not-documentary from ‘people very passionate about an unfamiliar hobby’ to ‘how many weirdos can we gather’.

In the end this made me more curious about the people in mascots, the real ones. Surely they’re not as annoying and frown-worthy as this lot. And hopefully they perform without a dancing poop.

Mascots, Netflix 2016

Smoke

‘Thomas, Thomas! Wake up!’

Well, Dan Vyleta got the Victorian-feel of it down pat. Several times I paged back to the front to check the year of first publication.

This could be viewed as a compliment, but as I expected something else going in, it took me a long time to adapt. Smoke is as straight-edged as its characters, afraid of anything that could be viewed as sin or a wrong emotion, any form of entertainment that could ‘evoke’ something.

This element makes the novel dystopian, a strict society in which something or someone will give sooner than later. Not just that, but on top of the societal mystery, there’s a mysterious group that’s kind of powerful, but not powerful enough to have a clear enough message. Or maybe the smoke just got in between.

Even when adventure is added, the feeling doesn’t get very urgent. Power hungry people want to keep things the way they are, maybe some light sins aren’t that horrible, okay, okay. It could have been a short novel, a foundation for a television series, but as a hefty book there’s just not enough spark.

Smoke, Dan Vyleta, Weidenfeld&Nicholson 2016

Seventh Son

102 min.
If you would have told me that this was a movie from ten or even twenty years ago, I would have believed you as well. It’s a b-adventure movie, unoriginal plot with reel-thin plot and pretty people.
seventh_son_poster

There’s an unlikely hero who is found by a rude stranger to be his new apprentice. There’s witches returning you see, and witches have to be fought. Because they’re evil, except when they are the love interest.

What follows is just a lot of destruction and explosions and some semi impressive CGI use. Creatures are gathered to help the witches, while the hero only has his rude master. Nameless civilians are sacrificed, towns decimated, how did it end again? Oh yes, the good guys win, but learn about how every win comes with losing (people) as well. Just pause and stop the VCR when it says The End, there’s no after-credits-anything.

Seventh Son, Universal Pictures 2014