PROBLEM NO. 1
Your regular table at the fabulous restaurant on the exclusive island where you own a beach house is unavailable.
Follow up from Crazy Rich Asians and China Rich Girlfriend, now with even some issues that everyone that isn’t a billionaire or millionaire could relate to. Maybe.
Does one read books of these series for recognising situations from their own lives? Probably not. Bring in the details about the clothes, the planes, the houses, the spending.
Again, there’s so many characters that the genealogy in front of the book can be helpful. The author ramps up the amount of notes as well, this time using them (more often) to comment, instead of to explain. But in between all of that is a brightly coloured, very expensive (looking) story full of dramatics and diamonds. It’s silly, it’s superficial, it’s quite delicious (especially in between Year of Wonders and writing essays about The Catcher in the Rye).
Rich People Problems, Kevin Kwan, Doubleday 2017
Mae Mobley was born on a early Sunday morning in August, 1960.
There was a book before the film. And yes, this is another one for college. Also another one I prefer over The Catcher in the Rye.
It’s the segregation years of the sixties in the USA. White women are housewives, black women are housemaids. They are expected to do everything, but are rewarded by little to no appreciation and always have being fired hanging over them. The majority of them are little more than paid slaves, which is something that Skeeter also discovers when she comes up with the idea to write the stories of housemaids. It doesn’t land well with a lot of people.
In the book there’s not just Aibileen’s point of view, but also Minny’s, and Skeeter’s. With the first two the reader gets two different minds and views on the same subjects, while Skeeter is the alien out.
The Help is such an easy read that when the uglier subjects pop up and disasters happen, it almost shocks you out of the pale pastels and superficial happiness everyone seems to abide by.
I expect I have to read it for the vocabulary used, I read it to discover if it was less coddling than the film. It was.
The Help, Kathryn Stockett, Penguin Group 2009
I am what they call in our village “one who has not yet died” – a widow, eighty years old.
I allowed myself another book in between the ones school wants me to read. As I started The Catcher in the Rye, I really needed it.
It probably couldn’t be more different from that novel if I’d consciously gone looking for it. Snowflower and the Secret Fan is in nineteenth century China, the main character a girl the reader follows into adulthood. Lily has the firm belief that she isn’t worth anything, solely by being a girl. She will be someone’s wife some day, someone’s mother some day, but herself? Just a burden.
Feet are still bound in that century, and Lily goes through it. Small, beautiful feet will make her chances for a husband better, for starters. Before that relationship is created by planners and family, another connection is laid: with a girl that will become her sister, her other half: ‘laotong‘. With her comes the fan from the title, and that fan is written in ‘nu shu, the women’s language.
And this way, Lily can share her story. There’s ordinary life and hopes and dreams, disease and disaster. Lisa See puts you on her door step, showing a historical reality so incredibly foreign to me.
The story is fiction, the elements used in it not. I’d recommend this for anyone interested in those that move within a women’s constraints. In China, this time.
Snowflower and the Secret Fan, Lisa See, Random House 2005
I used to love this season.
This is the first of the books I have to read for school. Lies of Silence, Catcher in the Rye, The Help and The Tortilla Curtain will follow.
Looking at that list, and having already read two of those, I know I could have done a lot worse.
Year of Wonders is about the plague. An English village in the 1660s gets hit by the disease and decides to quarantine itself, an element that’s based on a real story. Of course that doesn’t go well with everyone, and doesn’t the plague refrain from laying waste to it.
Main character Anna is not completely inner circle, but not a complete outsider either, giving a(n usually) sensible view to the happenings of small village life. When she loses her control of her emotions, it’s all the more painful and uncomfortable; because if she can’t handle it any more, who else will?
It’s a book on ordinary happiness, family life, small minded judgment, feminism and religion. Maybe I’ll change my mind about appreciating it when I have to write a 2000 word essay on it, but for now; an addition for many to read lists.
Year of Wonders, Geraldine Brooks, Penguin Books 2002
I’ve been standing here forever.
Maybe just another case of bad timing, but this time I didn’t even bother finishing the book. Of course I feel slightly bad about that.
Maybe if I wouldn’t have had read Homegoing before, the difference wouldn’t have been so big. I was ready to be swept off my feet again, instead I had to push myself through unrecognisable clunks of ..probably what was supposed to have been plot.
The Chimes are a thing that turned England, or maybe the entirety of the UK, or the world – a thing that uses music to control people and make it unable for people to remember. Some manage to put their memories into objects, but it’s still hard to have a past.
So, there is a nice element to built a world upon, but why does it feel like the author was paid per word? Several times I felt like I was close to a clue, only to have the story going into another direction again. None of the characters had any pull on me, to cheer them on or dislike them. For a story littered with music related terms, the rhythm was completely off.
The Chimes, Anna Small, Sceptre 2015
The night Effia Otcher was born into the musky heat of Fanteland, a fire raged through the woods just outside her father’s compound.
A much recommended book that didn’t disappoint one bit. How often does that happen (rhetorical question)?
I often appreciate a family epistle, using people to show history through the centuries. Sometimes their surroundings are more interesting, something the characters and their impact on later generations are the elements that make the story.
Homegoing does both. It starts in Ghana, with the time when white people were just a minor element, a mark in between tribal issues. It goes on into the twenty-first century. So that means kingdoms rising and falling, slavery, wars, segregation, the American civil war and civil rights movements, fear for lives solely because they’re being lived in dark(er) skins. And during all that, people. Likeable people, confusing people, people you worry for. There’s their family mythology, but Yaa Gyasi never makes you forget that these are (just) humans.
It’s ugly, how close to the skin it plays. Colorism, racism, the superiority feelings of white people. This is reality, and there’s no judging tone; the situations speak for themselves. Doesn’t mean this story is non-stop hard to read, just another gold star for in Gyasi’s book. All in all, add me to the voice of recommendations.
Homegoing, Yaa Gyasi, Alfred A. Knopf 2016
When news of the murder breaks I’m in Matthew’s, buying chicken necks so my little sister Renee and I can go crabbing.
A collection of stories all involving The Shore, a group of islands near the coast of Virginia. Some characters move through different stories, others only get a few pages. There’s whiffs of magic for some, (post)apocalyptic disaster for others. It’s a collection of island stories, throughout time.
The Shore seems to devour the people that want more, know more, creating a bubble inside the already bubble-like surroundings. Better to keep your mouth shut, your eyes down, your dreams small.
Yet this never makes the stories bitter; the majority seem to be light and fragile like the bubble it plays in. Is this really such a bad life, or just like any of those on the mainland?
The Shore starts strongly, but could have moved the stories around more to keep the appeal up. Now there’s a too clear peak with the feeling of an okay-ish aftermath.
The Shore, Sara Taylor, Penguin Random House 2015